

Putting blinds, bars or leaves (a gobo or cookie) in front of the light casts striped or patterned shadows on walls and faces. It gives a noir mood and the sense of a window just off screen.
Offices, interrogation rooms, night interiors, noir and mystery tones, moody shots with swaying leaf shadows.
Film noir mood, hard light through venetian blinds, sharp striped shadows cross a detective's face and the office wall as he sits at a desk, dust drifting in the narrow beams, slow push-in, 50mm lens, black and white, high contrast, brooding mood, 5-second shot.
hard light through venetian blinds, striped shadows across her face and the wall, film noir mood
Double Indemnity (1944) — Cinematographer John F. Seitz used blind shadows to make the characters look trapped behind bars. Blind shadows are the signature image of film noir (Wikipedia — Film noir).
AI Filmmaking: The Ultimate Guide to Cinematic Lighting (20 Prompts)